The Italian tradition of a St. Joseph Table is a popular devotion for the Feast of St. Joseph.
The “Tavola di San Giuseppe” (“St. Joseph’s Table” or “St. Joseph’s Altar”) originated in Sicily, which claims St. Joseph as its patron. It is practiced on March 19, the feast of St. Joseph. March 19 is also Father’s Day in Italy, which is fitting as St. Joseph was the foster father of Jesus.
This celebration featuring a makeshift shrine is a symbolic “thank you” and renewal of the Sicilian people’s devotion to St. Joseph.
It is a shared or communal celebration, in which the riches of food are given as alms to the poor and no one can be turned away. It has three aspects: veneration, special recognition of St. Joseph during Mass and at the “table”; the table, both a kind of “altar of reverence” and a communal celebration; and the poor, with the intention that the gathered food will help people in need.
Here’s how to set up your own St. Joseph Table at home or at your parish:
STEP 1: Choose a date and invite guests. If March 19 is not possible, celebrating a day or two before or afterwards is OK. It is ideal to host the celebration after Mass. Invite guests, especially children to dress up and play the parts of the Holy Family, the Apostles and angels. Guests should bring decorations or food items for the table.
STEP 2: Set up the table. Place a table in a prominent location of your home or church. On the table, arrange at least two display tiers using durable boxes or small shelves. (The three tiers represent the Holy Trinity, and the ascent from earth to heaven.) Cover the table and tiers with a white tablecloth.
STEP 3: Decorate the table. Place a statue of St. Joseph on the top tier. On the other tiers, display flowers (white lilies, in particular), candles, statues, rosaries and holy cards. The setup should be solemn and festive – use your imagination! Vigil lights of green, brown and yellow (representing St. Joseph’s clothing) can be placed all around, and the table can be surrounded by palms reminiscent of the Holy Land.
STEP 4: Set out a basket to collect prayer intentions and alms for the poor. You might collect canned goods for a food pantry or have a cash donation basket.
STEP 5: Prepare the menu. One traditional main dish in Sicily is “Carpenter’s Pasta” – pasta made with bread crumbs sautéed in butter to resemble sawdust – but you can include fish, soups or other pasta. Cheese isn’t used, symbolic of the food shortage experienced in the origin legend of the tradition. Sesame-coated artisan breads in symbolic shapes are a key centerpiece of the table and the menu. Don’t forget to include dessert: cakes, biscotti and cookies embellished with almonds are common. For menu ideas, go to www.yearofstjoseph.org.
STEP 6: Gather and place specific foods on the table. Special breads, fruits, vegetables, baked goods, pasta, wine and olives are all traditional items found on a St. Joseph’s Table. But as it is Lent, omit any meats and cheeses. Arriving guests should place their items on or around the table.
STEP 7: Bless the St. Joseph Table. Before or at the start of your celebration, invite a priest or deacon to bless your table, or pray together as a family.
STEP 8: Eat. The three children representing the Holy Family eat first, and they sit at a small table reserved just for them. Food is served buffet style.
STEP 9: Pray. After the meal, pray together as a group, seeking St. Joseph’s intercession. Pray the Litany to St. Joseph or use the diocese’s St. Joseph Prayer Book for other ideas. To end the celebration, offer guests a small gift such as a St. Joseph holy card. When possible, deliver the items collected for the poor to conclude the devotion.
— CatholicNewsHerald.. www.yearofstjoseph.org and Tom Sperrazzo contributed.
Learn more
For detailed information about the tradition and the setting of the St. Joseph’s Table, go online to the Year of St. Joseph website at www.yearofstjoseph.org/devotions/st-joseph-table.
The music associated with the Christmas season has always maintained a special place in the Catholic Church and in the hearts of the faithful. There are many beloved sacred music works linked to this season, from G.F. Handel’s “Messiah” and Arcangelo Corelli’s “Christmas Concerto” to J.S. Bach’s “Christmas Oratorio.” One sacred Christmas Vespers text, however, seems to have captured the imagination of composers through the centuries more than any other: “O Magnum Mysterium.”
I was recently reminded of the beauty of this text prior to a Mass at St. Bartholomew Church in Sharpsville, Pa., when their phenomenal and holy priest, Father Matthew J. Strickenberger, was playing the work. As the title “O Great Mystery” suggests, the text describes the great mystery of the Nativity of Our Lord, lying in a manger with animals looking on, and closing with a reference to Our Blessed Lady whose virgin womb bore the Christ Child. While joyful, it is a reserved wonder and almost every composer – regardless of the century in which they lived – has set these words to music that illustrates the mysterious and sacred event.
The most famous is undoubtedly the motet by Tomás Luis de Victoria, a native of Ávila, Spain. His “O Magnum Mysterium,” written in 1572, dates from his employment in Rome as a Church musician. Three years later in the Eternal City, he was ordained a priest. In Victoria’s work, the listener is drawn into the significance of the role of Our Lady by the manner in which he sets “O beata Virgo” (“O blessed Virgin”). The phrase is preceded by two beats of silence immediately prior to enhance the syllabic text setting in homorhythmic texture, meaning there is one note per syllable with the voices sounding the words synchronously. These elements contribute to the textual clarity, to signify the importance of our Blessed Mother.
An example of a contemporary setting is by Pulitzer Prize-winning American composer Dr. Jennifer Higdon. As the composer explained, her setting of “O Magnum Mysterium” resulted from her desire “to create a bit of mystery, which is why wine glasses are a part of the piece.” Like Victoria’s composition, the work is scored for a chorus of soprano, alto, tenor and bass voices, but with texts in both Latin and English complemented by two flutes, chimes and two crystal glasses. The contemporary harmonies are quite different than the Renaissance counterpoint of Victoria, yet the work maintains the beauteous, mysterious nature of the text. A superior recording of the work can be found on the 2005 album “All Is Bright” by the Handel and Haydn Society Chorus.
Father Christopher Bond, pastor of St. Lucien Parish in Spruce Pine and St. Bernadette Mission in Linville, reflects on the text of “O Magnum Mysterium”:
“I find within ‘O Magnum Mysterium’ (in its various haunting arrangements) an extremely simple approach to the birth of Our Lord. So often, we get caught up in the anxieties of Christmas preparations that we fail to slow down to the point of mere marvel that God would humble Himself to enter our world, take on human flesh, and redeem the human person through the blood of the cross. If lowly animals can put their worries on hold and stop to ponder the glorious mystery of the Incarnation, why can’t we?”
As the faithful prepare to celebrate the Christmas season in a simpler way this year, the numerous settings of “O Magnum Mysterium” – in particular, the Victoria and Higdon compositions – can foster quiet devotion in pondering the stillness combined with wonder that defined the very first Christmas.
— Christina L. Reitz, Ph.D., Special to the Catholic News Herald. Christina L. Reitz, Ph.D., is professor of music at Western Carolina University in Cullowhee.
Listen to Tomás Luis de Victoria’s musical setting of “O magnum mysterium” performed by the Cambridge Singers:
‘O magnum mysterium’
O magnum mysterium,
et admirabile sacramentum,
ut animalia viderent Dominum natum,
iacentem in praesepio.
O beata Virgo, cujus viscera meruerunt
portare Dominum Iesum Christum. Alleluia.
O great mystery,
and wonderful sacrament,
that beasts should see the newborn Lord,
lying in a manger.
O Blessed Virgin, in whose unblemished womb
was carried the Lord Jesus Christ. Alleluia!